Flemish painters (b. 1370-80, Nijmegen, d. 1416, Nijmegen). family of Franco-Flemish manuscript illuminators. The Limbourg brothers, Pol, Jan, and Herman, were trained as goldsmiths. They succeeded Jacquemart de Hesdin in 1411 as court painters to Jean, duc de Berry. Their masterpiece is the magnificent book of hours known as the Tr??s Riches Heures (c.1415; Mus??e Cond??, Chantilly). This is filled with exquisite illustrations of the daily life of the aristocracy and peasantry, including a series of calendar illuminations that are considered the finest extant examples of the International Gothic style   Related Paintings of LIMBOURG brothers :. | Les trs riches heures du Duc de Berry: Mai (May) g | Les trs riches heures du Duc de Berry: Octobre (October) | Les trs riches heures du Duc de Berry: Juin (June) edf | Four Figures at Table | Venus at the Forge of Vulcan |
Related Artists:
John Constable
1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy
Clarence a gagnon
Canadian Painter, 1881-1942 was a Quebecois painter. A native of Montreal, he studied at the Art Association of Montreal in 1897. Early in life, his mother had encouraged him to learn drawing and painting, but his father wanted him to become a businessman. Desiring to improve his knowledge about art, he went to the Academie Julian, Paris, and studied under Jean-Paul Laurens from 1904 to 1905. He then lived in Baie-Saint-Paul, where he produced many paintings depicting nature and the Canadian people. He invented a new kind of winter landscape that consisted of mountains, valleys, sharp contrasts, vivid colours, and sinuous lines. He became a member of the Royal Academy of the Arts in 1910. Gagnon took a trip to Venice, Rouen, Saint-Malo and the Laurentians to paint landscapes. He illustrated the pages of the novel Maria Chapdelaine by Louis Hemon. As well, he was the illustrator for Louis-Frederic Rouquette in 1929 in the white silence. He lived in France from 1924 to 1936. Gagnon opened modernity painting within Canada. He died in 1942. One of his disciples is the painter Rene Richard.
Edward lamson Henry
A popular and prolific genre artists at the end of the 19th century American , 181-1919 American painter. He received his first art instruction in New York from Walter M. Oddie (1808-65), followed by two years at the Pennsylvania Academy of the Fine Arts, Philadelphia (1858-60). After this he left for a two-year stay abroad, studying with Paul Weber (1823-1916), Charles Gleyre and Courbet. In 1864 he served as a captain's clerk on a boat taking supplies to the Union army. Two notable pictures that emerged from this experience were City Point, Virginia, Headquarters of General Grant (1865-72; Andover, MA, Phillips Acad., Addison Gal. A.) and Westover Mansion (1869; Washington, DC, Corcoran Gal. A.). He soon won recognition and was elected to the National Academy by 1869. Many of his paintings were sold before exhibition,